Doctoral and postdoctoral symposium in musicology
Friday, January 17, 2020
University of Helsinki, Topelia building, lecture hall C120
Open to all. Welcome!
Note: this event can also provide credits for the “lecture pass” [Luentopassi] TTK-461
Schedule
12.00 Opening remarks by Juha Torvinen
12.15 Johanna Hyytinen: ”Soprano masculinities or tenor femininities? Defining gender in Kaija Saariaho’s opera Only the Sound Remains”
12.45 Panu Heimonen: ”The Metamorphosis of musical sociability: comparison of passionate dialogue in the two Mozart’s operas (KV 527, 620) and piano concertos (KV 466, 453)”
13.15 Kristian Wahlström: ”Encouraging Yet Demanding: Student-Centered Subject Expert Pedagogy in Popular Music and Hard Rock Groove”
13.45 Lasse Lehtonen: ”Female singer-songwriters as social change in 1970s Japan”
14.15 Coffee break
14.45 Helena Tyrväinen: ”Oopperalaulaja Aino Ackté desentralisoidun musiikinhistoriantutkimuksen kohteena”
15.15 Anna Ramstedt: ”Pianistin soiva sukupuoli – epätasa-arvon sosiaalinen rakentuminen suomalaisessa pianokulttuurissa”
15.45 Henri Pitkänen: ”What is music? A xenomusicological perspective”
16.15 Break
16.30 Elina Seye: ”The corporeality of sound and movement in performance – an alternative approach to analyzing dance-music interrelations”
17.00 Mikko Ojanen: ”FinEARS: Finnish ElectroAcoustic Research Sources”
17.30 Ahti Korhonen: ”Telegraph Time. Sound Inventions and Innovations”
18.00 Closing remarks
The symposium is organized by Musicology, University of Helsinki