4th HLCN symposium

Today, the 4th Helsinki Literature and the City Network symposium. Keywords: post-apocalyptic city; urban wilderness and postmodern spatial poetics; city as public space; epiphany; literature and the peripheral city; literary second cities. More here; programme below.

10.15   Welcome Address

10.30-11.30     Petter Skult (Åbo Akademi): ”Periphery versus Centre in the Post-Apocalyptic City”

Sarianna Kankkunen (University of Helsinki): “Urban Wilderness, the City and the Self: Postmodern Spatial Poetics in Maarit Verronen’s Prose Fiction”

11.30 -12.30    Theory Reading

Turmel, Patrick: “The City as Public Space”

Hans Ulrich Gumbrecht: “Production of Presence” (chapters 6-9)

Turmel, Patrick: ‘city as public space’

Hans Ulrich Gumbrecht: ‘Epiphany Presentification Deixis’

12.30-13.45     Lunch Break

14.00-15.30   Literary Second Cities –conference (Åbo Akademi 2015) meeting

Literature and the Peripheral City editorial board meeting

Narratives in Urban Studies and Planning

Today teaching a guest lecture at Aalto University on narratives in Urban Studies and Planning. Quotes of the day:

“… not only do narratives matter in planning, but their centrality is not sufficiently examined or taught, and their premises and implicit causal links are not adequately subjected to scrutiny.” (Isserman & Markusen, 2013)

“Finally, we should extract from other fields of study what is useful about the concept of narrative and the use of storytelling as a presentation and teaching device. We were shocked to find so little concerted planning literature acknowledging the power of narratives and their ubiquitous (but implicit) presence in planning discourse and practice. … Will planning finally pay attention to its own rhetoric? Will regional science move beyond tools to imagine and conscientiously construct narratives?” (Isserman & Markusen, 2013)

Isserman, Noah, & Markusen, Ann. (2013). “Shaping the Future through Narrative The Third Sector, Arts and Culture.” International Regional Science Review, 36(1), 115-136.

Narrative Planning in Helsinki’s Waterfront Regeneration

Today, I presented a paper at the BIC Urban Fragmentation(s) conference in Berlin. I spoke on the subject of “Narrative Planning in Helsinki’s Waterfront Regeneration: New Directions in Planning Practices and Theory”, which is part of my broader research project (see more here.)

Thanks for everyone commenting and contributing to the lively discussion, and to the organizers of the BIC 2015 conference for bringing together an inspiring, multidisciplinary crowd! The full programme of the conference can be found here (pdf).

On Revisiting Splintering Urbanism

Today at Berlin’s BIC 2015 conference: Timothy Moss on revisiting “Splintering Urbanism” (concept coined by geographers Steven Graham and Simon Marvin) – is there a continuous “modern infrastructure ideal” and/or its breakdown? And what are the consequences? Important talk on infrastructures within cities and their fragmentation, and illlustrating the extent to which infrastructures are society-shaping and socially shaped.

Full programme here > http://bic2015.de/workspace/downloads/conference-program-bic_-150312-5501ca5417a4c.pdf

Talk in Copenhagen 17 April 2015

Looking forward to give a talk at the University of Copenhagen, department of Nordic Research, 17 April 2015. The talk will be at the Institute of Name Research. Abstract below.

The talk is part of my research project on the narration of waterfront development in Helsinki.

See also the department’s website for more information: http://nfi.ku.dk/konferencer-og-seminarer/ameel17042015/

Abstract

In urban studies and urban planning, the last decades have witnessed something of a “narrative turn”: an increasing interest in the potential of narratives. In the case of Helsinki’s ongoing and large-scale urban projects, city narratives have been explicitly foregrounded by the City Planning Department.

The developments at Jätkäsaari and Kalasatama, two waterfront sites in central Helsinki, provide particularly complex case studies. The most conspicuous use of cultural narratives is the recent move of the Helsinki City to hire 8 artists to help the Planning Department to develop the city, the mediatized use of landscape art to help create spatial identities, and the commissioning of a literary novel in Jätkäsaari. It is possible to also identify several examples of less obvious, but at least as pervasive narratives, from official websites with historical information, to the fostering of narrative treads in social community websites, and the mini-narratives provided by street names and 3D-projections of how this neighborhood will look like in the future.

My presentation explores how methods from literary and narrative studies can bring new insights to the many – often very diverse – narratives that are used consciously and unconsciously in the development of new urban areas. How are such narratives structured? Are they used merely as vehicles to brand new neighborhoods, or as means to legitimize specific – perhaps controversial? – solutions? Or are they used to create more tangible experiences of belonging, and to strengthen a sense of personally experienced place? I will apply methodologies from narrative studies, such as genre, plot and metaphor, and conduct a close reading of the relevant planning documents. I will conclude with an examination of the toponyms of the streets, quarters and squares in Kalasatama and Jätkäsaari, and with an analysis of how these place names complement the planning narratives.

Some Thoughts on Conceptual Images and Planning

The Finnish daily HS recently published an article on the difference between conceptual images of urban planning, and the “real thing”. A similar exercise had been done earlier, in a similar, critical vein by YLE. In his recent blog post, prof. Kimmo Lapintie dissects the reasoning in these articles. One important insight from his post: concept images in town planning differ fundamentally from concept images used for the planning of specific buildings – the first category gives general information about such things as the height of buildings and their location, but not, for example, about facades or balconies and the like. While I agree with the blog that concept images are indeed not to be taken at their face value, and are not intended to be so, I disagree with the implication that most citizens do possess the necessary “reading skills” with which to approach conceptual images. In this sense, adding disclaimers (such as “this building is not going to be really constructed, but simply shows the approximate height, location and size”) could in fact act as a genuinely useful act of public education, rather than as a joke.

hki-concept-images

source: HS.fi 11.1.2015

Urban Interventions and the impermanent city

Stumbled across this book via Stadt 2.0:

Transforming Cities. Urban Interventions in Public Space by Kristin Feireiss and Oliver G. Hamm.

urbaninterventions

One particularly interesting-looking article is “Pretty Vacant. Embracing Impermanence
in Architecture and Urban Planning” by Lukas Feireiss, which takes its clue from Italo Calvino’s Invisible Cities and the city of Sophronia. Haven’t been able yet to read it in full, but it promises an evocation of a kind of “temporary
architecture that contests the preoccupation of architecture
as being permanent”. Sample pages can be found here.

 

 

Memories of A City

Impressive portal city for the local memories and narratives of different areas in Amsterdam:

Geheugen van West” and “Geheugen van Oost“, literally, the memory of respectively West and East (administrative areas in Amsterdam)

With stories, pictures, archive data, and an easy, interactive platform.

Many stories present perspectives on the city with immeasurable value, and with an enormous richness of detail – from a tram accident in 1957 to more recent reports (from 2013) on engaging locals in planning.

Begs the question to what extent, and how, such rich information and the user base of the website are used in the planning of Amsterdam.

 

Amsterdam – a city novel?

What makes a city novel? A what are the distinguished characteristics of this genre? I hope to devote more time and space to this issue in the near future –  I’ve been working with it for some time now. Rather than a fully-fledged analysis, for now, some observations concerning one specific novel: Ian McEwan’s 1998 Amsterdam.
amsterdam
To what extent is Amsterdam a city novel – and does it make sense to approach it from the generic perspective of the city novel? Certainly, it is in a sense a tale of two cities, and like Dickens’s novel, it pits images of the continent with images of Englishness in a tale that is both highly entertaining and complex. London and Amsterdam, then, and the forcefield they emanate – certainly more than mere settings. The eponymous Amsterdam, in particular, to which all the action in the novel is eventually drawn in a series of intriguing doubles, enables and steers the plot development. But it also acts as the mirror image (or even source?) of the protagonists’ rationale of revenge.
Amsterdam, in the following quote, is conveyed as the epitome of rationality – but whose rationality, and to what purposes?
“While he was crossing the bridge it came back to him, what a calm and civilised city Amsterdam was. He took a wide detour westwards in order to stroll along Brouwersgracht. […] So consoling, to have a body of water down the middle of a street. Such a tolerant, open-minded, grown-up sort of place: the beautiful brick and carved timber warehouses converted into tasteful apartments, the modest Van Gogh bridges, the understated street furniture, the intelligent, unstuffy-looking Dutch on their bikes with thier level-headed children sitting behind. Even the shopkeepers looked like professors, the street sweepers like jazz musicians. There was never a city more rationally ordered.” (McEwan 155)
Whether or not one wants to approach this novel as (primarily) a city novel, it has, of course, a lot more to offer than spatialized (power) relations.
For a Girardian analysis of the novel, for example, see Hanna Mäkelä’s recent dissertation Narrated Selves and Others (2014) here.

Literary fiction as resource for historical studies of the city

Ed Taverne’s review of Friedrich Lenger’s Metropolen der Moderne. Eine Europäische Stadtgeschichte seit 1850 (2013) here at the blog Ruimtevolk (in Dutch) pays tribute to the way in which Lenger is not only using traditional historical sources to write his history of the modern city, but also literary fiction. Not, as Taverne points out, to merely illustrate the facts, but as sources in their own rights. Examples are Brigitte Reimann’s Franziska Linkerhand (1974) and Marc Bernard’s Sarcellopolis (1964).Reimann_Bernard

[Franziska Linkerhand, Brigitte Reimann (source: Aufbau Verlag); Sarcellopolis, Marc Bernard (source: Decitre) (source: Ruimtevolk.nl)]

Friedrich Lenger’s book has been published in English as European Cities in the Modern Age

lenger

(source: Brill.com)

The increasing interdisciplinary attitudes to the city, city history and urban studies is also evident – amongst many other examples – in the recent volume Tussen beleving en verbeelding. De stad in de 19e-eeuwse literatuur (“Between Experience and Imagination. The City in 19th century literature”), published by Leuven UP.