Literature and the Peripheral City

“Literature and the Peripheral City”, editors Lieven Ameel, Jason Finch, and Markku Salmela, and soon to be published by Palgrave, can now be pre-ordered here:

Ameel et al

An inspiring, two-year project is drawing to a close. Heart-felt thanks to all contributors, to everyone at Palgrave, and to my terrific co-editors!

Content:

Preface

Introduction: Peripherality and Literary Urban Studies; Lieven Ameel, Jason Finch and Markku Salmela

PART I: CITY PERIPHERIES
1. Detroit and Paris, Paris as Detroit; Jeremy Tambling
2. ‘It’s Six A.M. Do You Know Where You Are?’ Urban Peripherality and the Narrative Framing of Literary Beginnings; Lieven Ameel
3. The Peripheries of London Slumland in George Gissing and Alexander Baron; Jason Finch
4. A Topography of Refuse: Waste, the Suburb, and Pynchon’s ‘Low-lands’; Markku Salmela
5. London’s East End in Peter Ackroyd’s Dan Leno and the Limehouse Golem; Aleksejs Taube
6. The Configuration of Boundaries and Peripheries in Johannesburg as Represented in Selected Works by Ivan Vladislavic and Zakes Mda; Marita Wenzel

PART II: PERIPHERAL CITIES, GENRES AND WRITERS
7. Hungry and Alone: The Topography of Everyday Life in Knut Hamsun and August Strindberg; Tone Selboe
8. A Forest on the Edge of Helsinki: Spatiality in Henrika Ringbom’s Novel Martina Dagers langtan; Topi Lappalainen
9. Eduard Vilde and Tallinn’s Dynamic Peripheries, 1858-1903; Elle-Mari Talivee and Jason Finch
10. A Suburban Revision of Nostalgia: The Case of Ways of Going Home by Alejandro Zambra; Bieke Willem
11. From Windowsill to Underpass: Young Women’s Spatial Orientation in Swedish Young Adult Literature; Lydia Wistisen
12. Centrifugal City: Centre and Periphery in Ricardo Piglia’s La ciudad ausente; Nettah Yoeli-Rimmer

Bibliography

Index

Urban Fragmentation(s), Berlin, March 16–19, 2015

I’ll be presenting a paper at the Urban Fragmentation(s) conference in Berlin, March 16–19, 2015. Promising conference, on the crossroads between linguistics, urban studies, sociology, and literary studies.

I will speak on the subject of “Narrative Planning in Helsinki’s Waterfront Regeneration: New Directions in Planning Practices and Theory.” Part of my broader research, which is presented (in brief) here.

Below, the abstract of the conference; the program can be found here (pdf).

“The Centers for Advanced Studies in the Humanities (GWZ) will jointly host the 3rd Borders & Identity conference (BIC) from March 16th to 19th, 2015, at the Humboldt University in Berlin (Germany). BIC2015 provides a meeting place for researchers interested in interdisciplinary approaches to exploring Urban Fragmentation(s) from linguistic, literary, sociological, and historical points of view, or a combination thereof. The conference will be organized in three parallel strands, each chaired by a corresponding GWZ-center (ZAS, Center for General Linguistics; ZfL, Center for Literary and Cultural Research; ZMO, Center for Modern Oriental Studies):

  1. Literature & Translation (ZfL)
  2. Language & Linguistic Creativity (ZAS)
  3. Society & Governance (ZMO)” (source: http://bic2015.de/)

Narratives that Form the City

In today’s Finland-Swedish national daily Hufvudstadsbladet (10.3.2015), there’s a long article on my research on narratives in city planning, under the title “Berättelserna som formar staden” – “Narratives that form the city”. ameel-berättelserna

My main point – which is explored, of course, at more depth in my research – is that planning is a form of communication, in which narrative structures form crucial construction blocks. An analysis that draws on concepts and frameworks from literary studies can thus provide new insights in the ways in which new urban developments are constructed. This goes beyond an interest in mere branding: my contention is that narratives guide and structure not only the conception of planning project, but also the construction on the ground, in particular in the form of narratives in legally binding planning documents. More on my research project here.

 

Being There: “Toponyms as Prompts for Presencing Place”

Looking forward to attending ” “Being There” in Fictional Worlds” in Turku in May of this year.

I’m presenting together with Terhi Ainiala a paper with as title “Toponyms as Prompts for Presencing Place – Making Oneself at Home in the Narrated City”.
Bound to be interesting.

http://www.utu.fi/fi/yksikot/hum/ajankohtaista/uutiset/Sivut/presence-cfp.aspx

Confirmed Key Note Speakers:
Prof. Ros Ballaster (University of Oxford)
Prof. Susan S. Lanser (Brandeis University)

Talk in Copenhagen 17 April 2015

Looking forward to give a talk at the University of Copenhagen, department of Nordic Research, 17 April 2015. The talk will be at the Institute of Name Research. Abstract below.

The talk is part of my research project on the narration of waterfront development in Helsinki.

See also the department’s website for more information: http://nfi.ku.dk/konferencer-og-seminarer/ameel17042015/

Abstract

In urban studies and urban planning, the last decades have witnessed something of a “narrative turn”: an increasing interest in the potential of narratives. In the case of Helsinki’s ongoing and large-scale urban projects, city narratives have been explicitly foregrounded by the City Planning Department.

The developments at Jätkäsaari and Kalasatama, two waterfront sites in central Helsinki, provide particularly complex case studies. The most conspicuous use of cultural narratives is the recent move of the Helsinki City to hire 8 artists to help the Planning Department to develop the city, the mediatized use of landscape art to help create spatial identities, and the commissioning of a literary novel in Jätkäsaari. It is possible to also identify several examples of less obvious, but at least as pervasive narratives, from official websites with historical information, to the fostering of narrative treads in social community websites, and the mini-narratives provided by street names and 3D-projections of how this neighborhood will look like in the future.

My presentation explores how methods from literary and narrative studies can bring new insights to the many – often very diverse – narratives that are used consciously and unconsciously in the development of new urban areas. How are such narratives structured? Are they used merely as vehicles to brand new neighborhoods, or as means to legitimize specific – perhaps controversial? – solutions? Or are they used to create more tangible experiences of belonging, and to strengthen a sense of personally experienced place? I will apply methodologies from narrative studies, such as genre, plot and metaphor, and conduct a close reading of the relevant planning documents. I will conclude with an examination of the toponyms of the streets, quarters and squares in Kalasatama and Jätkäsaari, and with an analysis of how these place names complement the planning narratives.

Helsinki in Haydn’s Time

The Kamus quartet is organizing a fascinating series of chamber music concerts: Teema@Helsinki.

The series has a spatial theme, and is organized around central locations in Helsinki. The series starts Tuesday 7.10 with a Benjamin Britten concert at Suomenlinna.

I’m very much looking forward to introducing their Haydn concert at the magnificent House of the Nobility Sunday, 22.3, with a short exposé on Helsinki in Haydn’s time.

ritarihuone

source: riddarhuset.fi

What makes a city remarkable? An Urban Planner’s Guide to Hki

Mikko Aho, director of City Planning for Helsinki, and also a member of the jury for the Guggenheim Helsinki Design Competition, writes about 7 things that make Helsinki remarkable here.

CITY_FROM_SEA_HKI05.jpg_1150_850

[Helsinki, seen from the sea. Photo: courtesy City of Helsinki Media Bank. Photographer: Mika Lappalainen]

Great that people from City Planning are actively engaging and reaching out to the (international) public. Aho’s text celebrates Helsinki’s link with the sea, and the multi-layered character of this city (that is much more rooted in a long and complex history than is often acknowledged). But could more be made of the complex cultural meanings of the waterfront? And would it be possible to engage more actively with such cultural narratives in ongoing planning projects?

See, also, in this respect, my contribution in the Finnish Kritiikin uutiset of 3/2012 concerning plans for the South Harbour development.