Category Archives: Digital media

The allure of conspiracy theories in a time of pandemic

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By Kinga Połyńczuk-Alenius (HCAS Core Fellow)

Two people holding white paper with the text pandemic #covid19

Photo by cottonbro from Pexels

I initially became interested in conspiracy theories when studying a blog of a key Polish far-right activist in the context of my Collegium research on mediated racism in Poland. Although this activist first gained public prominence and recognition during the 2015 ‘refugee crisis’ as one of the leaders of the anti-refugee movement, my analysis quickly revealed that the crux of his writing was, in fact, the elaboration of a multi-layered superconspiracy machinated by the Jews. While the timeworn leitmotiv of the Jewish cabal secretly orchestrating the course of history survives and thrives primarily – though not exclusively – in the anti-semitic far-right milieu, the current proliferation of spurious theories related to the Covid-19 pandemic lays bare the societal and political significance of conspiracy theories beyond the radical fringes. In Poland, for example, a recent survey has found that as many as 45 per cent of respondents agreed that ‘some foreign powers or countries are deliberately contributing to the spread of the coronavirus’, compared to 42 per cent who attributed the pandemic to ‘natural processes’.

With this in mind, it is as worthwhile to dispel conspiracy theories forcefully as it is to try and untangle their appeal.

Old explanations for a new situation

At the most basic level, a conspiracy theory refers to ‘the conviction that a secret, omnipotent individual or group covertly controls the political and social order or some part thereof’ (Fenster, 2008: 21). Although they might be based on kernels of truth, conspiracy theories exploit undisputable facts as a source material for questionable extrapolations. In other words, they are based on ‘the big leap from the undeniable to the unbelievable’ (Hofstadter, 1966: 38).

As a major part of the political and social (dis)order on a global scale, the ongoing pandemic has rapidly given rise to an impressive range of more or less half-baked conspiracy theories that seek to explain the situation. Symptomatically, many of them have latched onto the already existing explanations and implicated the usual scapegoats. Accordingly, it has been possible for politicians to tap into the seemingly bottomless deposit of antisemitism and represent novel coronavirus as a yet another Jewish plot to alter the world order, take control of sovereign countries and ‘neuter their populations’.

In a similar vein, White House officials have repeatedly intimated that the virus has been engineered in a Chinese lab, perhaps even as a biological weapon. This theory is a perfect illustration of a ‘curious leap of imagination’ that Hofstadter wrote about: it has been inferred from the Chinese government’s secrecy, the underestimation of the number of infections, and the underreporting of deaths. What makes this theory truly useful, though, is that it handily reinforces two anti-Chinese views at once: it confirms the malevolence and callousness of China’s pursuit of world dominance but also, through exposing the security compromises that enabled the virus to escape from the lab, it betrays characteristic Chinese incompetence.

The new villains: intangible, yet personified

More ‘grassroot’ conspiracy theories differ from those propagated by politicians in that in their search for an explanation they turn to the realm of the invisible and the intangible. In particular, the phony links between Covid-19 and technology and/or science seem to take centre stage.

In the technology department, the most popular conspiracy theory draws on 5G scaremongering. In this view, 5G technology weakens the immune system, rendering humans susceptible to viruses which, in turn, use the 5G network as a communication channel. The novel coronavirus is believed to have emerged in Wuhan because it was – counterfactually – the first city where 5G coverage was rolled out.

The next level of this conspiracy theory has been spun by the anti-vaccination movement, which eagerly combines scepticism towards (medical) science with mistrust of technology. The ‘vaccine hesitancy’ groups have piggybacked on the spurious connection between 5G and the novel coronavirus in the origin story that they have concocted for the Covid-19 pandemic. In that tale, the novel coronavirus is produced by 5G technology so as to warrant the creation of a bogus vaccine, intended not to cure the disease but rather to implant microchips through which humans could be remotely controlled.

At that stage, however, some questions still remained unanswered. Does 5G technology generate the virus autonomously? And who is supposed to take control of humanity once it has been microchipped?

A douche, with liquid dripping, photographed in front of a stash of cash

Image by Gerd Altmann from Pixabay

Any conspiracy theory becomes complete when the ultimate orchestrator is unmasked. And for Covid-19 pandemic, Bill Gates emerged as the grand operator. As a vocal critic of the Trump administration, a technological mogul turned philanthropist, a zealous proponent and generous funder of vaccine development, the Microsoft co-founder is the perfect scapegoat for a crisis that emerges on the intersection of technology and (medical) science.

According to this theory, the evidence of Gates’s culpability abounds. In a 2015 TED talk, he publicly and brazenly anticipated his evil plan by criticising and revealing the shortcomings of global pandemic preparedness. He has even had the audacity to cipher his evil plan in the official name of the disease: ‘COVID-19 (C)ertificate (O)f (V)accination (ID)entification – (1)=A (9)=I “Artificial Intelligence“.’ Already all-powerful, Gates is set to benefit from the pandemic, and the vaccine it brings about, in two ways: through garnering financial profit and enslaving humanity.

The discreet appeal of conspiracy theories

Predictably, the conspiracy theories related to the Covid-19 pandemic are based on evidence that is circumstantial at best and, more often than not, simply absurd. As such, they have been repeatedly debunked, declared a public health hazard, and ridiculed. Yet, the old plots still circulate, and the new ones continuously emerge, in social media and certain legacy media alike. We must then ask: what currency do conspiracy theories have in contemporary information-rich societies?

Crucially, not only are conspiracy theories a conviction or a set of beliefs, they also fulfil certain cognitive and psychological needs which are otherwise unmet in times of crisis.

Firstly, a conspiracy theory is a mode of cognitive mapping: an attempt to disentangle a complex situation through concocting a graspable, though not necessarily plausible or logical, explanation (Fenster, 2008; Jameson, 1988). Thus, the belief in conspiracy theory helps people to make sense of and navigate a confusing and inhospitable reality (Bale, 2007: 51).

In the case of Covid-19 pandemic, conspiracy theories provide complete, simple, seemingly rationalistic and watertight explanations. This is in stark contrast to the available scientific knowledge – complex, fragmented, changeable and contested – and to the actions of political decision-makers and state authorities, which appear haphazard and self-contradictory. Accepting that the pandemic has a singular cause (technological/military experiments), however absurd, might be more manageable than coming to terms with the complexity of the situation in which too many variables remain unknown.

Secondly, a conspiracy theory functions as a (maladaptive) coping mechanism. Under circumstances of social change, upheaval or crisis, conspiracy theories serve to grasp a rapidly unfolding situation that has a bearing on one’s life but is beyond individual control (van Prooijen and Douglas, 2017). To do that, such theories often rely on spurious new evidence to confirm what is already known, namely a superstition or a prejudice (Byford, 2011). By outsourcing blame onto the usual suspects, conspiracy theories enable people to rationalise, albeit in a way that does not stand to reason, their present difficulties (Bale, 2007). Accordingly, conspiracy theories provide a way for those who view themselves as innocent victims of the pandemic to explain their predicament as having a known, identifiable and evil source, be it the Jewish plot, Chinese incompetence, or Bill Gates’s machinations.

Thirdly, and relatedly, conspiracy theories are a paradoxical way partly to overcome the feeling of powerlessness (Bale, 2007). By denouncing culprits, individuals can reassert their own agency: while in the know, they are able to act on the previously incomprehensible and overpowering situation. If one believes that Bill Gates is single-handedly responsible for Covid-19 and the ensuing pandemic, taking to Instagram and bombarding Gates’s profile with accusatory messages might seem like a reasonable and potentially effective course of action.

Taking all the above into account, ad-hoc factual refutations and emotional dismissals might not do much to dispel the allure of conspiracy theories. In times of crisis, conspiracy theories will always be a step ahead of carefully crafted, evidence-based theories in providing an overarching, rationalistic, simple and, therefore, compelling explanation.

While I do not claim to have any practical pointers on how exactly to combat the adverse effects of conspiracy theories, it seems to me that a more effective way to do so would be to enable general public to accept, and cope with, the complexity and unpredictability of the world. Admittedly, this would require some sweeping changes in political communication, media crisis reporting as well as schooling and education, to name but a few examples.

Portrait of Kinga Połyńczuk-Alenius

Kinga Połyńczuk-Alenius (Photo by Tero Alenius)

References

Bale JM (2007) Political paranoia v political realism: On distinguishing between bogus conspiracy theories and genuine conspiratorial politics. Patterns of Prejudice 41(1): 45-60.

Byford J (2011) Conspiracy Theories: A Critical Introduction. Basingstoke: Palgrave Macmillan.

Fenster M (2008) Conspiracy Theories: Secrecy and Power in American Culture (2nd edition). Minneapolis: University of Minnesota Press.

Hofstadter R (1966) The Paranoid Style in American Politics and Other Essays. Cambridge: Harvard University Press.

Jameson F (1988) Cognitive mapping. In C Nelson and L Grossberg (eds) Marxism and the Interpretation of Culture. Urbana: University of Illinois Press, pp. 347-357.

van Prooijen J-W and Douglas KM (2017). Conspiracy theories as part of history: The role of societal crisis situations. Memory Studies 10(3): 323-333.

Making of: Moral Machines

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By Susanna Lindberg & Hanna-Riikka Roine

As our contemporary world is increasingly digitalized, the ethical, moral and political issues it encompasses require our immediate attention. Technology can no longer be considered as a mere tool since it has a significant effect on both its users and the surrounding environment as well. This can be seen, for example, in the way we assign new tasks to our computers every day. Needless to say, digitalization has been extremely useful in science, technology, economy and everyday life; despite this, however, we also need to examine our relationship to digitalization with a critical eye.

Moral Machines? Ethics and Politics of the Digital World conference began as an idea to bring together N. Katherine Hayles (Duke University) and Bernard Stiegler (University of Compiègne), the two prominent scholars examining the constantly increasing digitalization of our society. After they agreed to come, we started drafting the overall plan for the conference and quickly realised the vastness of the topic. The development of technology and digitalization are phenomena which comprehensively shape our society, and it is for this reason that such phenomena should be examined in an interdisciplinary context.

N. Katherine Hayles giving her keynote lecture at Think Corner (Photo: Minerva Juolahti)

Furthermore, we saw an urgent need to reflect upon the moral and political implications of digitalization, not only the technological aspects. This is why we not only wanted to appeal to scholars from multiple different fields, but also to create an arena focusing on the humanities and social sciences perspectives. On top of that, we wanted to include an artistic programme.

Initially, Moral Machines was supposed to be a much smaller symposium, but after the call for papers closed, we had received so many good proposals for papers that the symposium doubled in size. This is also why we ended up having six keynotes in a fairly small conference: besides Hayles and Stiegler, we had contacted Erich Hörl (Leuphana University of Lüneburg), Maria Mäkelä (Tampere University), Frédéric Neyrat (University of Wisconsin-Madison) and Francois-David Sebbah (Paris Nanterre University) about joining us.

Susanna Lindberg and Hanna-Riikka Roine opening the conference (Photo: Minerva Juolahti)

Due to the wide variety of perspectives to the topics of the conference, the first day of the conference was dedicated to fiction, media and art, while the following two days had parallel session tracks focusing on philosophical and sociological discussions. The presentations ranged from fictional representations of moral machines and the understanding of social media as a moralistic storytelling machine to discussions of various uses of data and theories of thinking and knowledge in the digital world.

The first day culminated in the artistic evening programme organised on the Tiedekulma Stage, with Otso Huopaniemi’s performance, Riikka Talvitie’s composition for the solo clarinette of Fàtima Boix, and the performance of Black Mödernism, a group consisting of the poets Matti Kangaskoski, Eino Santanen ja Tuomas Timonen. The artistic programme proved out to be a real success. As many of the people participating in both the sessions and artistic programme of the conference pointed out, the performances engaged the same questions as the academic presentations but from a completely different – and therefore refreshing – angle.

black mödernism’s self-directing “A to B Networking Collective” presents: “A:sta B:hen. / From A to B. Kaksiarvoinen moraaliesitelmä / Binary Moral Presentation.” (Photo: Minerva Juolahti)

The conference had almost 120 registered participants, and many more came by to catch the keynote talks and sessions and watch the artists perform. From our perspective, everything went quite well, and the feedback was overwhelmingly positive.

Moral Machines confirmed the fact that while the challenges that digitalization poses are complex and numerous, they are being addressed and examined within various different fields. To our delight, Moral Machines was able to bring some of these together in a way that easily surpassed the instinctive digiphilia or digiphobia. In the end, it appears that most presenters rejected the idea that ethical, moral and political responsibilities could be delegated to machines only (as in the famous “moral machine” experiment. However, in the contemporary world, digital systems affect all existential and social situations, either because computing itself takes over certain affective tasks, or because ethics and politics take an active stance to technological frameworks and human-machine assemblages. No doubt, in order to follow the transformations of ethics and politics in a digital world it is useful to assembly expertise from different areas, as the conference was able to do.